nikon sharpest lens ever made

Get one before Nikon catches on and raises the price. Nikon made its name with its manual-focus lenses. Reviewed in the United States on February 7, 2005. For full-frame mirrorless (Z6 & Z7). If you want a really fast lens in an even smaller package than either of these, Nikon's 20mm f/1.8G AF-S is a unique ultra-speed ultrawide. In fact, just to show off, the 13mm has less distortion than zooms or most other normal and wide lenses! It lets me get rid of my old fashioned "camera bag" full of lenses that I used to carry. It's the plastic 28-200mm G. 80-200mm f/4.5n AI (1977-1981)         top. Last Updated on February 3, 2017 by PixelPluck. Make sure that you know How to Use Ultrawide Lenses. This lens allowed me to shoot things hand-held on ISO 50 film that otherwise I could not. This tiny and inexpensive lens wows me with its fantastic performance and ultra low price. Check price. Not only does this lens let me leave my bag home, I can leave my tripod home, too. I can't answer for everyone, and won't answer objectively, which is to say, based on lab measurements or DXO scores etc. The 80-400mm VR is more versatile as a general-purpose tale. Don't expect ever to see one of these, since production was so low. Here are few sample photographs shot on the new Sigma 85mm F1.4 DG HSM Art lens. The 28-300mm VR is my freedom lens. Unless you're photographing stamps, which makes you silly because you'll get better images sticking them in a scanner, shooting macro is a real pain having to move in and out all the time to frame products and chasing moving subjects like poisonous snakes. Thanks for helping me help you! 24-70mm f/2.8 VR (2015-today)          top. Nikon's first internal-focusing 300mm /2.8 lens of 1977 quickly became the news and sports photographers standard long lens. Both are sharp, even in the corners. I'll grab this one lens and leave everything else at home, and this is also a great lens to add to the 18-300mm for people photography in low-light. None of Sony, Canon, or Fuji make a lens this wide and fast; it's also ideal for photographing the Milky Way. It always cost a significant fraction of what the average American family earns in a year, and used ones today sell for about the same real price as when new: about $5,000 to $20,000. 04 March 2020, 05 Dec 2019, Dec 2016, Christmas 2010, July 2008, Be sure that this new AF-P lens is compatible with your camera, as sharp, if not sharper than 2016's (but still current) 70-200/2.8 FLE, sharper than the fully professional 70-200/2.8 VR II, spent ten years perfecting this masterpiece, Nikon N AF-S NIKKOR 300mm f/2.8G ED VR II. I bring my 20mm f/1.8 when I'm travelling light instead of the 16-35mm VR. Only carry the 180 or 200, never both. For a DX DSLR, this is the only lens you'd ever need, unless you also need an ultra-ultra wide lens: For Nikon DX DSLRs. Unlike zooms and most fixed lenses like the current 14mm f/2.8 and 14-24mm AF-S, make a photo of the horizon along the bottom or shoot a brick wall, and everything stays straight and square. For Nikon FX DSLRs. If I'm photographing moving people and kids, of course I'll prefer the AF lens, but if I'm hugging a tripod, the King is still the King. If you get this 200-500mm, you'll still want a regular tele like the 70-200mm f/2.8 FL or even my favorite 28-300mm VR. Customers who took factory delivery in Japan were treated to a ceremony where the lens was blessed by a Shinto priest. 52mm filters, 7.0 oz/197g, 1 foot/0.3m close-focus. As a guy who's owned probably every Nikon lens ever made, even for Nikon's 1940s-1960s rangefinder cameras, I'm astonished at how this one lens replaces every other lens I used to use, with the exception of ultra-ultra wides. Check Price. Bravo! The 35mm f/1.8 is super-sharp, focuses instantly, it's fast, it's tough (metal mount), and simply works perfectly for a super low price. I'll be recieving a prototype digital 65mm motion picture camera next month that employs a 12k (12000x8000) sensor and i need the sharpest lens around to make use of it. For Nikon FX DSLRs. The 58 has more character than any lens Ive ever shot, and produces a look that is very unique. The AF-S VR Micro-NIKKOR 105mm f/2.8G IF-ED is the Holy Grail if you’re a Nikon shooter interested in macro photography. It has the best optics of any 50mm f/1.4 ever sold by Nikon or Canon. this list is one sided, there are so many great lense’s out there that are better than what he has listed, Nikon I think leads the pack followed by Tamron and Tokina. Be sure that this new AF-P lens is compatible with your camera; if not, use the 18-300mm VR DX or older 55-300mm DX. 58mm filters, 9.8 oz./278g, 1.5'/0.45m close focus. I have no problem saying that this is the most outstanding third-party lens ever made. In my 105mm center, 200mm center, 105mm corner and 200mm corner sharpness comparisons, it's the most consistent performer. Don't carry one of these zooms at the same time as any of the fixed teles. Hope that's ok. If you find this In fact, its so good that even after the f/1.4 autofocus lens came out, for about the about the same price, Nikon kept making these for 10 more years! Today, this lens' spirit lives on in the Nikon N AF-S NIKKOR 300mm f/2.8G ED VR II. As a guy who's owned probably every Nikon lens ever made, even for Nikon's 1940s-1960s rangefinder cameras, I'm astonished at how this one lens replaces every other lens I used to use, with the exception of ultra-ultra wides. This is after all a 7 year old camera and when it was released it got a lashing from the photographic 'gurus' of YouTube. Another best lens in 35mm is the Zeiss Biogon ZM F2. My primary 35mm camera system is Nikon. As you can see, VR works great, letting me get ultrasharp results hand-held at 1/20 of a second. These are very inexpensive plastic-mount lenses that came out in 2001 and 2003 for sale with Nikon's cheapest film cameras like the N55 and N75. This is a tiny little lens not much bigger than a lens cap. If we broaden our search to included every lens brand, Nikon is completely gone from our top five. I know snake guys who pack heat to protect their 70-180mm lenses; these lenses are that good and irreplaceable. The 80-400 focuses much closer and zooms much wider, but it also costs much more. If you wish to make a printout for personal use, you are granted one-time permission only if you PayPal me $5.00 per printout or part thereof. Read on to see why. (blacked-out for national security purposes). If I need speed for low-light, I may carry a trio of 85mm f/2 AI-s (52mm), 135mm f/2.8 AI-s (52mm) and 200mm f/4 (52mm) or 180mm f/2.8 ED. If you haven't helped yet, please do, and consider helping me with a gift of $5.00. First of all, there is the focal length, which is probably the first specification to look at when browsing for lenses. The ED glass allowed superb optical quality in a super-speed long lens. Knowing that the lens you are using is the strongest link in the chain ... Of course I buy only name brand lenes that are made by Nikon. Check price. Check price. It doesn't focus closely (7/2'/2.2m) and it doesn't zoom wider than 200mm, which are how Nikon is able to make this so inexpensively and have it work so well as an ultra tale. For lighter weight at a much lower price, also consider the 70-200mm f/4. For more reach, consider the 80-400mm VR, and again, I prefer my 28-300mm over all the rest of these because I don't need f/2.8 and I prefer my 28-300mm's all-encompassing zoom range. Just get the 14-24mm AF-S , which is a lot less expensive, two stops faster and a lot sharper. Nikon’s most powerful all-in-one zoom lens ever. If I want a "do everything" lens for my D3 or D700, it's not the 24-120mm VR. It excels because it's so tiny and inexpensive, and has better performance than many more exotic older lenses. ... About a year ago I bought this lens along with a used Leica M6 body. Remember, that the Nikon D7500 is an APS-C sensor. These are older, and still can be helpful. Of course even the slightest tilt on your part throws everything into a bizarre angular array of converging and diverging lines, but that's the fun. Thanks! This manual focus lens outperforms its newer 85mm f/1.4 D autofocus sibling. For Nikon DX DSLRs. Excellent depth of field control and bokeh. No lens has spent as much time on Nikon bodies – including mine – as this one, and every single one of my Nikon-shooting buddies swear by the 70-200mm. The 135mm DC, or "Defocus Control," lens, is among Nikon's sharpest lenses ever. Legendary Nikon Nikkor lenses - Here are Nikon's 12 NIKKOR lenses that have made history, innovating in their field and changing the game. Here's a link to the Nikon version of this lens. It covers FX; a DX lens would need a focal length of just 8.5mm to cover the same ultra-ultra wide angle! Very few people know How to Use Ultrawide Lenses, but for those who do, this is Nikon's best DX ultrawide yet. This isn't the case here. Both produce magnificent images. Sigma makes an inexpensive 12-24mm zoom that may be wider, but it's not a professional lens, its not a Nikon lens, and it distorts slightly. I've shot a lot of fixed 24mm, 20mm, 18mm, 17mm, 15mm and 14mm lenses in my days, and this zoom is sharper. There, I said it. Nikon's least expensive lens is also among its sharpest. It also sells used for more than it sold for when new. chrome only. 300mm f/2.8 ED-IF (1977-1982, continues today)         top. For Nikon FX DSLRs. This lens is special because its sharp, even in the corners, even wide-open at f/1.4. Nikon 28mm f/1.4 D AF. Nikon only made these to special order, and only made a few hundred of them across 20 years. I lusted after the 13mm ever since I was a kid in the 1970s. If you are asking about their miniature* format lenses then I would say the Nikon Nikkor Micro 55mm f/3.5 and the Nikon Nikkor 85mm f/1.4 are the sharpest. Seriously, this lens is a truly outstanding alternative to the Canon and Nikon 24-70mm lenses that cost FOUR TIMES more than this lens. If you want a single lens that can cover every imaginable shooting situation, from wide-angle group shots all the way to ultra-high-power zoom shots, look no further than the new AF-S DX Zoom-NIKKOR 18–300mm. It lets me get rid of my old fashioned "camera bag" full of lenses that I used to carry. All Nikon's 80-200mm f/4.5 zooms are excellent. Last Updated on November 10, 2020 by PixelPluck 14 Photography Tips for Better Landscape Photography …, © Copyright 2020 PixelPluck, All Rights Reserved, Sigma 85mm F1.4 DG HSM Art is Sharpest Lens Ever Made. Americans just don't get this lens, because Nikon messed up its name. It costs you nothing, and is this site's, and thus my family's, biggest source of support. While I prefer my 28-300mm because I prefer to carry less, most full time pros would never leave the house without their 70-200mm f/2.8 VR FL, which is the world's best 70-200mm lens. This all-content, junk-free website's biggest source of support is when you use any of these links to approved sources when you get anything, regardless of the country in which you live. Straight lines stay straight. Sigma is doing great with it’s art series and both Nikon and Canon are getting tough competition which fuels innovation. Here are the 10 best choices. 82mm filters, 16.9 oz./479 g, 0.9'/0.28m close focus. Some posts may contain affiliate or sponsored links. Most importantly in this wide lens is that of all the lenses Zeiss has ever made, this is the only lens that has zero distortion. It is among Nikon's fastest lenses, and covers film and the full FX frame. "This is probably the best Art lens they've ever made." The DC feature always keeps the subject ultra sharp, and allows the photographer to defocus just the background (or foreground) into the softest, smoothest, dreamiest and creamiest pastels ever. If you have the 18-300mm VR DX you don't need this lens, but if you need ultra-fast autofocus or prefer to use the smaller 18-55mm lens or the excellent 16-80mm most of the time and thus need a separate telephoto zoom, , this new 70-300mm has the fastest almost instantaneous focusing of any Nikon DX telephoto. For Nikon DX DSLRs. Art series lenses from Sigma are the company’s high-speed f/1.4 models that are designed to compete with the very best lenses from Canon and Nikon, and can even give legendary lens maker Zeiss a run for its money. These below are the specific lenses I carry when I shoot a manual-focus camera like my F, F2, F2S, F2AS, F3, FA, FE, FE2, FM, FM3a & etc. Of course, the standard caveats about how lens sharpness doesn't make you a better photographer, etc apply, but if we're only considering sharpness, it would seem that the Sigma 70mm f/2.8 Macro is actually the sharpest autofocus SLR lens in existence. This beast is big and heavy: 5 inches (12cm) around and it weighs 3 pounds (1.4kg) with caps. Carry only one of these depending on which you happen to have and which filter size you prefer. Carl Zeiss proudly the proclaim that their new ZF lenses designed for Nikon SLR cameras are the sharpest SLR lenses they've ever ... if required, and will not be the limiting factor in the imaging process. Ken. The Z 14-30mm stands out because it's the first-ever Nikon lens wider than 16mm that can take a normal screw-in front filter. | 50mm f/2 | Nikon Nikkor H Auto | (ca. Check price. Best Lenses for Manual-Focus 35mm Cameras          top. It's great people like you who allow me to keep adding to this site full-time. Focal Length. Version One of this lens was no less of a workhorse, but when the VRII came out around 2009 or 2010, Nikon upped the game considerably. The 28-200mm G is a miracle. No only does the Z14-30 take filters, it's the sharpest ultra-ultrawide ever from Nikon, and it's also small and collapses when not in use. I can't vouch for ads below. What makes them a fantastic option is the competitive pricing compared to the models from Nikon and Canon. For Nikon Z cameras, 46mm filters, 4.6 oz./131g, 0.7'/0.2m close focus. Five Highest Rated Lenses for Nikon Full-Frame on DxO Mark as of May 2018. Nikon D7500 - Lens Buying Guide. It was a gift to myself for reaching a goal and I've never regretted the expense one bit. If you don't need VR, the older 24-70mm f/2.8G is still sold new and is an equally excellent professional lens. Notice how it moves so easily, but that there is no play in any of the movement. Any of the manual lenses work great; these are just what I prefer to cover everything. Nikon Z 50-250mm VR DX (2019-today)         top. 13mm f/5.6 AI-s (1976 -1998)          top. have had to take, feel free to help me continue helping everyone. See also How to Shoot Film and Why Fixed Lenses Take Better Pictures. They made a zillion different types. Incredible sharpness but with an old school rounding that gives it “that look”. Overall it is a good sign for the photography industry. Most teles, like the 135mm DC, often can't focus closely enough for photos of baby heads. Which is the Best Camera Lens In The World? Portraits come out with fantastic sharpness on the subject, whilst background blur and depth of field fade out in a nice soft contrast. Thank you! These lenses also work on full-frame mirrorless (Z6 and Z7), but you're throwing away over half of your full-frame sensor area, and be sure to update to at least version 2.1 firmware in the Z6 or Z7 for VR to work with these lenses: Nikon Z 16-50mm VR DX (2019-today)         top. Nikon UK D5000 The D5000 is a powerful and versatile SLR camera that delivers superb still images and high-definition D-movie clips with sound. Nikon Z DX 50-250mm f/4.5-5.6 VR, collapsed. The price has even gone down in recent years, so it’s more in-line with cheaper alternatives. Each of these lenses isn't quite as sharp as Nikon's best, but pretty darn close. Vivid Yellow Tree by the Merced River, Yosemite Valley, October 2017. Check price. The zoom and focus are supposed to be loose and slippery. It focuses down to 17 inches (43cm) at every focal length, much closer than any other Nikon tele, ever. For full-frame mirrorless (Z6 & Z7). 9 Unbelievable Camera Lenses That Actually Exist. It collapses simply by turning the zoom past 16mm, and it's ultra-sharp, focuses super fast and close, has pretty good sunstars and has no distortion as shot on the Nikon Z50 with which it was introduced. Nikon's 14mm f/2.8 and 14-24mm AF-S are not quite as wide, and have more distortion. Check price. This lens is fantastic because it gives us every imaginable focal length we'd ever need for a DX DSLR in just one lens, and it's sharp. 20mm f/4 AI or 20mm f/3.5 AI (both take 52mm filters) or 20mm f/2.8 AI-s (62mm filters). All of my recent product shots, like half the shots on this page, are shot with this lens. For Nikon DX DSLRs. The short answer is, all of them are pretty darn sharp when used appropriately and with good technique. It is so well made that it works with little or any lubrication, so it can work in temperature extremes and needs only a tiny flick to move the settings. The biggest help is when you use any of these links when you get anything, regardless of the country in which you live. Meanwhile, the DX 35mm f/1.8G fast normal prime is even more affordable at around £150. If you are looking for a lens for the Nikon D7500, there are a couple of factors to consider to get the right one. These two lenses incorporate every trick Nikon has learned over decades and decades of lens design and volume manufacturing. These rare lenses come with unbelievable specs and spectacular price tags. Older lenses, like the huge 14-24mm f/2.8, had bulbous front elements that were completely unprotectable. It really is amazing. Opticus wrote: Could anyone point me to the sharpest 6x6 (and above) ever made? No one was silly enough to shoot zooms on tripods pointed down, so creep wasn't the issue. Nikon D850, Nikon 28-300mm VR at 36mm at f/8 hand held at 1/20 at Auto ISO 400, Perfectly Clear v3.5. 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Carry only one of these 50 or 55mm lenses at a time. Check price. It was made back when Nikon was still great enough and crazy enough to make things just because they could. Holy guacamole, the results from the beat-up, scratched crummy lens I got on my Graflex was a zillion times sharper than any of my classic "sharpest lens ever made" manual-focus Nikkors like the 55mm f/2.8, 105mm f/2.8 AI-s Micro at the top of this page or 180mm f/2.8 ED. 5.0 out of 5 stars SHARPEST LENS EVER MADE FOR 35MM? I buy only from these approved sources. 35/2 Canon Black: the last and best of Canon's 35mm lenses. The optics of most of Nikon's earlier AI-s manual focus lenses have been exceeded in Nikon's newer AF lenses. Home  Donate  New  Search  Gallery  Reviews  How-To  Books  Links  Workshops  About  Contact. You’ll be blown away at how fast this incredible lens can focus, and how accurate it … bigger or full-resolution. This is the second 85mm lens we’ve seen on our list, and this one has a hugely wide maximum aperture of f/1.4. Z 24-70mm f/2.8 (2019-today)          top. The AF isn't that fast since it covers such a wide range, but its fast enough. Below are 10 of the best FX lens models from wide angle and portrait to telephoto, along with 7 more that just missed the cut. Dedicated to pictures taken with Nikkor lenses. What gets them on my Best list is that they are this good at such a low price, and that they are tiny and weigh nothing for easy carrying. Check price. No one paid any attention, because everyone was swapping over to digital cameras faster than Nikon guessed, leaving Nikon stuck with pallets of unsold N75s. Not only is it pretty sharp in most cases, what gets it on my Best list is that it focuses so closely at every focal length. Collectors finally figured it out, and they now sell used for double what they sold for new. 58mm filters, 14.5 oz./412g, 3.7'/1.1m close-focus. The Z 24-70mm f/2.8 is a fast, ultrasharp lens. It has no distortion, focuses almost instantly, and it's Nikon's smallest and lightest lens. The Sigma 50mm F1.4 DG HSM Art Lens for Nikon Cameras. Even the 28-80mm G is sharper than the far more expensive 24-120mm VR, which made my 10-Worst list. 82mm filters, 37.6 oz./1,067 g, 1.3'/0.4 m close focus. This particular lens is rated as the sharpest by DxOMark among all 50mm lenses made for the Nikon F mount.

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